India's bulk content production agency — for brands that need volume without chaos. Send footage or shoot with us — the line runs either way, every week, on SOP.
Pick how footage enters the factory. Everything after intake — timestamps, edit pool, copy check, QC, delivery — runs the same SOP.
Drop raw footage in the shared drive. The timestamp person clips selects, dedicated editors cut in batches, copy checkers pass every hook and caption, QC signs off, your POC delivers. Weekly rhythm, zero shoot logistics.
Configure this mode →Cinematographer-led shoot days at your office, gym, clinic or set. Footage goes from card to timestamp desk the same night — batches start moving before you're back at your desk.
Configure this mode →Shoot on pre-lit sets at Indian Podcast Studio (Prithvi, Vayu, Agni) or Content Studio Noida. Walk in with a script, walk out knowing next week's batch is already on the belt.
Configure this mode →Book the studio with your own crew, shoot your way — then hand the cards to our line. You keep creative control on set; we keep the delivery calendar honest.
Configure this mode →Set the mode, slide the volume, pick formats. The line ticket updates live — send it and we'll price the exact configuration.
Straight off The Reel Factory - the public channel where client edits ship daily. Toggle the shelf, tap a tile to watch the lane live.
Nine standing accounts, nine different lanes - podcasts, performance ads, course edits, social batches. All shipped through the same eight stations.
Podcast production. Full podcast production for India's leading numerologist - episode edits, clip batches, thumbnails, shipped as a standing pipeline.
Podcast production. End-to-end podcast post-production: long-form multicam edits plus short clip batches, tagged and shipped weekly.
SM reels + performance reels. Devotional social reels plus performance reels for the Sri Mandir app by Apps for Bharat - one line, two lanes.
Performance reels + statics. Performance reel batches and static ad creatives for paid social - hooks, variants and offer frames on schedule.
Course edits. Bulk course video editing - lesson cuts, module packaging and clean pacing at volume for a learning platform.
SM course videos + reels. Full-length course videos and social reel batches running on the same line - long-form and short-form from one intake.
Performance ad reels. Performance ad reel batches built for paid campaigns - hook-first cuts with offer frames and CTA passes.
SM reels. Social media reel batches, brand-sheet consistent, delivered month after month without drift.
Ad reels. Ad reels and program promos for yoga offers - performance-first editing with retention cuts and captions.
Your brand, next on the ledger.
Raw in, delivered out. Pull the handle on each bench — grade, captions, hooks, sound, cutdown, motion.
Want this on your footage?
Every asset carries a grade, and every grade carries a budget band — reels up to ₹8,000, long-form ₹2,000 to ₹20,000+. Mix grades inside one batch: 800 Type 1 reels and 40 Type 3 ads can share a month.
Tight cut, captions, music, colour pass. Built for daily volume — the 1000/month lane runs on this grade.
Pattern interrupts, zooms, B-roll, SFX, karaoke captions. The standard for organic reels and shorts that hold.
Hook variants, motion graphics, offer frames, copy-checked CTAs. Built for Meta and Google — shipped in tested batches.
Full grade in Resolve, sound design, title systems, motion identity. Brand films, hero ads, launch assets.
Eight stations. Every asset passes all eight — that's how 1000 a month ships without a single unchecked caption. Scroll the rail →
Footage lands via Drive dump or shoot-day cards. Logged, backed up twice, batch-tagged.
POCThe timestamp person watches everything, clips selects and marks cut-outs — editors never scrub raw.
Timestamp personDedicated editors — the same names every week — cut in batches by grade and format.
Dedicated editorsHooks, captions, CTAs and on-screen text pass a copy checker. No typo ships. No weak hook survives.
Copy checkerAd grades get motion graphics, offer frames, logo systems and end cards from the motion bench.
Motion designerFrame-level check against the brand sheet — pacing, colour, audio levels, safe zones, exports.
QC leadYour single point of contact reviews the batch on Frame.io and routes your comments — one thread, ever.
POCNamed, foldered, platform-ready exports on schedule. Revisions loop back to station 03, not to zero.
POCPut your content on these stations.
Volume breaks when everyone does everything. On this floor, every account gets a fixed pod — same faces, same standards, every week.
One person owns your account. Briefs, batches, feedback, delivery — a single thread with a name on it.
Watches every minute of raw, clips the selects, marks the cut-outs. Editors receive gold, not haystacks.
Editors assigned to your account, not a rotating queue. They learn your style once and compound on it.
Every hook, caption and CTA is checked for language, claim safety and punch before it renders.
Offer frames, animated captions, logo stings and end cards — the bench that makes ad grades perform.
The last gate. Checks against your brand sheet frame by frame — nothing leaves the floor unsigned.
Two floors in Sector 61, one in Sector 18. Edit bays, pre-lit sets, and a team that treats Tuesday like launch day.
Review on Frame.io. Tracking on Notion. Storage on Drive with double backup. Your team sees the batch board — nothing lives in DMs.
Content Factory runs on the Content Mafia ecosystem — the same floors, editors and SOPs behind five years of shipped work.
Content Factory is a bulk content production agency - the world's first production line built only for volume. Where a typical agency sells projects and a freelancer sells hours, the factory sells standing output: bulk video editing from 30 edited videos a week, bulk performance ads production of 100+ ad creatives a month, and bulk reels production up to 1000 reels a month - every asset passing an 8-station SOP with dedicated editors, a timestamp desk, copy checkers and a QC gate. It runs on the Content Mafia ecosystem in Noida, Delhi NCR: the floors, studios and editors behind 5000+ shipped videos, 2000+ produced podcasts and $150M+ in supported ad spend since 2021.
No wedding films, no one-off projects. The entire system - pods, SOP, pricing - exists for volume: bulk edits, bulk ads, bulk reels, bulk shoots.
The line scales from 30 edited videos a week to 1000 reels a month without changing your pod or your process.
Bulk performance ads production for Meta and Google - hook variants, motion graphics and offer frames shipped in weekly batches.
Per-asset TAT on reels and shorts, weekly ad drops, 3-5 days on long-form, 24-hour revisions.
The same editors stay on your account and compound on your style - backed by a timestamp desk so they cut gold, not haystacks.
Hooks, captions and CTAs pass a copy checker; a QC lead signs off frame-by-frame against your brand sheet before delivery.
Bulk shoot + edit at your location, or on pre-lit sets (Prithvi, Vayu, Agni) at Indian Podcast Studio and Content Studio Noida.
A single point of contact owns briefs, batches, feedback and delivery on Frame.io - volume without chaos.
| Freelancers | In-house editor | Typical agency | Content Factory | |
|---|---|---|---|---|
| Monthly capacity | 10-30 assets, variable | 40-60 assets | Project-based | 30-1000 assets, standing |
| Consistency | Changes per hire | One style ceiling | Rotating teams | Fixed pod + brand sheet |
| Quality control | Self-checked | Manager spot-checks | Account manager | Copy check + QC gate on every asset |
| Turnaround | Negotiated per job | Queue-dependent | 4-10 days typical | 24-48h per asset |
| Shoots + studio | Rarely | No | Sometimes, outsourced | In-house crews + 3 studio sets |
| Scaling to 1000/mo | Not possible | Hire 15+ people | Re-quote, re-team | Slide the volume, same SOP |
Hire Content Factory for bulk production works of every kind: bulk edits from your raw footage, bulk shoot days that yield 20-30 assets each, bulk ads production and bulk performance ads production in the 100s, bulk Instagram reels editing, bulk shorts, bulk podcast clipping, bulk UGC ad editing and bulk YouTube editing. If it ships weekly and it ships in volume, it belongs on this line - which is exactly why operators call it the best editing agency in India for scale work.
Bulk production in Delhi NCR runs from our Sector 61 and Sector 18 floors in Noida - covering Delhi, New Delhi, Gurgaon, Ghaziabad, Faridabad and Greater Noida with shoot crews on the ground. Bulk production in India ships remotely to Mumbai, Bangalore, Hyderabad, Chennai, Pune, Kolkata, Ahmedabad, Jaipur, Chandigarh, Lucknow, Indore, Surat, Kochi and every other city, with travelling crews for bulk shoots anywhere in the country. International batches ship daily to the United States, United Kingdom, UAE, Australia, Canada and Singapore. One line, all cities.
The line starts making sense at 30 assets a month. Below that, Content Mafia's project lane is the better fit — we'll route you there honestly.
That's what the eight stations exist for. Volume runs on Type 1–2 grades with a fixed pod, timestamp selects, copy check and a QC gate. The SOP is the quality system — not individual heroics.
Yes. Dedicated editors are assigned to your account and stay on it. They learn your style once and it compounds.
Comments go on Frame.io, your POC routes them to the edit pool, and revised cuts ship in 24 hours. Revisions loop to station 03 — the batch never restarts.
You do. Everything is delivered named and foldered, raw is backed up twice for the engagement window, and full handover is standard on exit.
Indicative per-video bands: reels from up to ₹1,000 (Type 1) through ₹1,500–2,500, ₹3,500–5,000 and ₹6,000–8,000 (Type 4); long-form from ₹2,000–4,000 through ₹5,000–10,000, ₹10,000–20,000 and ₹20,000+. Exact quote per configuration — build your batch, send the ticket, +18% GST applies.
It's the world's first line built only for bulk - an 8-station SOP, fixed pods per account, and the Content Mafia ecosystem behind it: 5000+ videos, 2000+ podcasts, 50+ brands, $150M+ ad spend supported since 2021.
Yes. Delhi NCR runs from our Noida floors with crews on the ground. Bulk edits ship remotely to Mumbai, Bangalore, Hyderabad, Chennai, Pune, Kolkata and every Indian city - plus the US, UK, UAE, Australia, Canada and Singapore. Shoot crews travel pan-India.
That's a core lane - 100+ performance ad creatives a month with hook variants, motion graphics, offer frames and copy-checked CTAs, shipped in weekly tested batches for Meta and Google.
Both. Cinematographer-led bulk shoots at your location, or full-stack on our pre-lit Noida sets (Prithvi, Vayu, Agni). One shoot day yields 20-30 assets straight onto the edit line.
One editor ships 40-60 assets a month and needs gear, software and management. The line ships 30-1000 a month with a full pod - and scaling means sliding the volume, not hiring fifteen people.
Founded and directed by Tanuj Bhatt, founder of Content Mafia (Vedrop Production Pvt. Ltd., Noida). Production is headed by Vivek Negi, post-production by Ankit Bhadri.
First engagement: 50% advance, 50% after delivery. From the second engagement onward: 100% advance. All billing on GST invoices, 18% GST extra.
Because the line is already running for standing accounts. Budget maps everything - team size, seniority mix, video level, calendar slot. Sharing it first means the reply you get is an exact configuration, not a sales call.
Yes. A service agreement and NOC are signed before the line starts - scope, ownership and delivery in writing. You own the delivered work.
Yes - the edit desk runs 24/7 with a dedicated editor on call for urgent cuts, fixes and launch-night changes.
The line is already running for standing accounts - so discussion starts at budget and terms, not around them. Tap a card for the detail.
No budget, no batch. Your budget is what maps the team, the grade and the calendar - it is the start of the conversation.
Share budget per video, per batch or monthly total in the form below. We reply with an exact line configuration against it - team, grade, volume, dates.
First engagement: 50% advance, 50% after delivery. From the second engagement onward: 100% advance.
Advance locks your pod and your slot on the calendar. Standing retainers bill by the 1st week of each month.
Every rupee on a proper GST invoice. 18% GST applies extra on all amounts.
Billing runs on the Vedrop Production invoice series - clean paper for your books, every batch, every month.
A service agreement and NOC are signed before the line starts. Scope, ownership and delivery in writing.
You own the delivered work. Raw is backed up twice for the engagement window, full handover standard on exit.
Team size and seniority scale with budget and volume - senior lead to associates, assigned by video level.
Beyond production: QC lead, copy checker, POC and leads ride on every account. Higher grades pull senior editors and the motion bench in.
A dedicated editor is available round the clock - urgent cuts, fixes and launch-night changes included.
The desk never closes. Ping your POC any hour; the on-call editor picks it up and ships.
Terms clear? Send the budget.